Create a four beat rhythmic motif. Develop the motif using the following processes: retrograde (backwards), augmentation (proportionally elongating the note values), diminution (proportionally shortening the note values), and fragmentation (using portions of the rhythmic motifs). Compose 16-measures for a non-pitched instrument using only the rhythms from your motif, retrograde, augmentation, diminution, and fragmentation.
Join our Bradley Composition community in Final Bar Line Frenzy this summer. Our goal is to collectively reach 100 final bar lines (completed pieces) this summer! Once you complete a composition, comment on this post. Tell us the title, instrumentation, and provide a link to the piece if possible. Also include the number out of 100 in your comment to help us track our progress. For example, the first person to comment on the post would add 1/100, the second person would add 2/100, etc. What constitutes a completed piece for Final Bar Line Frenzy? It can be an original composition, an arrangement, a transcription, a fixed media piece, a project created in a DAW, a multimedia project, a multi movement piece, or a collection of short pieces. Use your discretion, but think of this as a completed piece that is of a quality that you would be happy to present in composition lessons, is ready for performance, and would be ready to send off to a publisher or feature on au...
Motive of Composition - A fun short snare excerpt where the augmentation is embedded in a 16th. note passage with the rim clicks outlining the augmented motive. I also put some interesting textures in here such as playing on the snare stand, rim shots, and stick clicks. Since I'm very happy with one, I'll include the audio in case you'd like to hear it.
ReplyDeleteScore:
https://drive.google.com/file/d/1m50DtY_SnNJP6vb6Py1FgaAalmyEzlBU/view?usp=sharing
Audio:
https://drive.google.com/file/d/1i94H3pw81SXcwVZRHsiK4LDzrrRu1ihG/view?usp=sharing
Nice work, Dawson. This is a cool piece!
Deletehttps://musescore.com/user/39892229/scores/6997583/s/S0K1QA?share=copy_link
ReplyDeleteNice work, Seth. The triplet and sixteenth note groupings worked really well during throughout to build unity. I especially liked them during the fragmentation portion.
Deletehttps://drive.google.com/drive/folders/1aCjCLyUl0Gh6mLJiES5H1WQuyzJ_p0bd?usp=sharing
ReplyDelete- Darial N
Looks very interesting, Darial. I'd like to hear a bass drum play this with all of the markings you specified. It should give us a lot of different sounds and colors.
DeleteSnare Trap - https://drive.google.com/drive/folders/1lhUmMr1IiIofH11ouR2oGr_XIn2kn7Ln?usp=sharing
ReplyDeleteFun title! I like the 32nds popping in!
Deletehttps://drive.google.com/drive/folders/1bT4BNGfX5H34njDhHfjQ03RTOvbD-Nvu?usp=sharing
ReplyDeleteLove the title! The rolled augmentation at the end was fun!
Deletehttps://drive.google.com/drive/folders/1339FamVOvs_ZzE8P3OVw2xklFwG9scVl?usp=sharing
ReplyDelete--Annie Fu
The quarter notes in m. 12-14 really catch my ear.
Delete