Today we will work on the third and final exposition of our invention. Begin by stating the original subject in the new key in the same voice from exposition 1. This happens exactly as the last cadence occurs, so there is no loss of musical momentum. Next, add a two measure sequence. Following this, add approximately four measures that stand on the dominant chord (ponte). At the end of these four measures, add the chordal 7th to make the V chord strong. This will lead to a final chord progression with free counterpoint based off of the motivic ideas in your subject. Consider the following chord progression for the last seven measures: I; PD (ii or IV); V; vi (tonic substitute); ii6; V; I.See the attached diagram for more information about inventions. Consult your theory textbook or a colleague if you need more information about inventions. Thanks to both Carlos and Xavier for suggesting this project. For today’s post, please post your entire invention.
Join our Bradley Composition community in Final Bar Line Frenzy this summer. Our goal is to collectively reach 100 final bar lines (completed pieces) this summer! Once you complete a composition, comment on this post. Tell us the title, instrumentation, and provide a link to the piece if possible. Also include the number out of 100 in your comment to help us track our progress. For example, the first person to comment on the post would add 1/100, the second person would add 2/100, etc. What constitutes a completed piece for Final Bar Line Frenzy? It can be an original composition, an arrangement, a transcription, a fixed media piece, a project created in a DAW, a multimedia project, a multi movement piece, or a collection of short pieces. Use your discretion, but think of this as a completed piece that is of a quality that you would be happy to present in composition lessons, is ready for performance, and would be ready to send off to a publisher or feature on au...
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